A Mouth Full Of Butcher Knives

The shot of the estuary victim’s severed leg sinking to the sea bed is a detail that might have come directly from the original novel. ...

The shark comes up fast behind the rowboat, advancing on its unsuspecting prey like a pantomime villain. It’s probably nothing more tha...

Brody’s first reaction to the woman’s warning cries (‘The shark. It’s going into the pond. Shark. In the estuary.’) is a resigned ‘Now ...

As the two pranksters are hauled aboard one of the spotter boats, Hooper checks in with Brody on the walkie talkie. Right after h...

The panicked bathers are aided at the water’s edge by first responders, dressed all in white like the faithful at a mass baptism. As th...

It is the shark spotter with the white sun visor who first raises the alarm. (“Jesus Christ! Fin! Shark! Three five zero!”) Behind him ...

The composition of a brief shot from on board one of the boats has a Cubist-like abstraction: whether by accident or design, it is as i...